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THE FILMS OF RUBEN ÖSTLUND
TOURING RETROSPECTIVE
JANUARY–MARCH 2015 **** EXTENDED THROUGH APRIL 14
AUTOBIOGRAPHICAL SCENE NUMBER 6882 (Scen nr: 6882 ur mitt liv, 2005)
AUTOBIOGRAPHICAL SCENE NUMBER 6882
Scen nr: 6882 ur mitt liv, 2005, 9m, Sweden
Swedish with English Subtitles
with Anette Andersson, Ingela Borgström, Martin Byström, Elin Gradin, Mats Lekander, Gunnar Nyström, Martin Zetterlund
cinematography: Ruben Östlund; produced by Erik Hemmendorff, Ruben Östlund
A young man boasts to friends that he will jump from a high bridge into the river below, then begins to have second thoughts. This penetrating short presages Östlund’s Involuntary for its illustration of peer pressure and Force Majeure for its critique of the fragile male psyche.
FORCE MAJEURE (Turist, 2014)
An avalanche in the French Alps sends a father scurrying for his life, leaving behind his panicked wife and children, in Östlund’s examination of the conflict between social role and survival instinct.
PLAY (2011)
Unabashedly impolite, Östlund’s record of racially charged harassment and societal paralysis offers food for thought and fuel for fury.
INCIDENT BY A BANK (Händelse vid bank, 2009)
Based on an actual account of a bank robbery witnessed by two bystanders across the street, Östlund’s concise study of surveillance may remind some viewers of Michael Haneke’s Caché.
INVOLUNTARY (De ofrivilliga, 2008)
Described by Östlund as “a tragic comedy or a comic tragedy,” the director’s second feature draws uneasy laughter through five examinations of bourgeois group dynamics.
AUTOBIOGRAPHICAL SCENE NUMBER 6882 (Scen nr: 6882 ur mitt liv, 2005)
A young man has second thoughts about his boast to jump from a bridge in this penetrating critique of peer pressure and the fragile male psyche.
GITARRMONGOT (2004)
Östlund’s mostly nonprofessional cast brings a documentary quality to this compassionate, humorous portrait of outsiders and nonconformists, focusing in particular on the titular musician, a young man facing dire obstacles in life.
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