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"Featuring a troupe of non-actor pre-teen boys, Östlund expertly details how the schemer schemes, how the victim might victimize themselves and showcases how class, racial and age divides are ultimately legitimized by a larger, unassuming public.." --Eric Lavallee, IONCINEMA.com
FORCE MAJEURE (Turist, 2014)
An avalanche in the French Alps sends a father scurrying for his life, leaving behind his panicked wife and children, in Östlund’s examination of the conflict between social role and survival instinct.
PLAY (2011)
Unabashedly impolite, Östlund’s record of racially charged harassment and societal paralysis offers food for thought and fuel for fury.
INCIDENT BY A BANK (Händelse vid bank, 2009)
Based on an actual account of a bank robbery witnessed by two bystanders across the street, Östlund’s concise study of surveillance may remind some viewers of Michael Haneke’s Caché.
INVOLUNTARY (De ofrivilliga, 2008)
Described by Östlund as “a tragic comedy or a comic tragedy,” the director’s second feature draws uneasy laughter through five examinations of bourgeois group dynamics.
AUTOBIOGRAPHICAL SCENE NUMBER 6882 (Scen nr: 6882 ur mitt liv, 2005)
A young man has second thoughts about his boast to jump from a bridge in this penetrating critique of peer pressure and the fragile male psyche.
GITARRMONGOT (2004)
Östlund’s mostly nonprofessional cast brings a documentary quality to this compassionate, humorous portrait of outsiders and nonconformists, focusing in particular on the titular musician, a young man facing dire obstacles in life.
COMEBACK COMPANY
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